丁观鹏（？-1771后），清代画家，艺术活动于康熙末期至乾隆中期，北京人。胡敬《国朝院画录》谓：“观鹏克传家学。”工道释、人物，尤擅仙佛、神像，以宋人为法，不尚奇诡，学明代的丁云鹏笔法，有出蓝之誉。雍正四年（1726）进入宫廷为画院处行走，是雍正、乾隆朝画院高手，与唐岱、郎世宁、张宗苍、金廷标齐名。造诣深湛，得乾隆帝赏识，曾为《圣制诗》初集、二集、三集之多幅画卷题诗。在宫廷画院五十年左右，作品近二百件。传世作品有完成于乾隆三十二年（1767）《法界源流图》卷，纵33厘米，横1635厘米，该卷场面宏大，人物众多，描金设色，精细绚丽，为中国佛教艺术瑰宝、世界佛教艺术明珠，现藏吉林省博物馆；乾隆十三年（1748）作《乞巧图》卷藏上海博物馆；二十六年（1761）作《无量寿佛图》轴、《宝相观音图》轴藏故宫博物院；三十五年（1770）八月作《说法图》轴藏西柏林民俗博物馆。弟丁观鹤，亦供奉内廷，工人物。
英文翻译
Dingguanpeng(? -1771), painter of the Qing Dynasty, art activities from the end of Kangxi to the middle of Qianlong, Beijingers. Hujing's "Painting of the National Yuan Dynasty" said: "Guan Peng Ke's family studies. "The practitioners and characters, especially the immortal Buddha and the statue, use the Song people as the law, and they are not strange. They learned the Ming Dynasty's Dingyunpeng brush method and have a reputation for blue. In the four years of Yongzheng(1726), he entered the court and walked for the painting Institute. He was a master of the Yongzheng and Qianlong Dynasty Painting Academy, and was named after Tangdai, Lang Shining, Zhangzongcang, and Jin Tingbiao. He was highly accomplished and received appreciation from Emperor Qianlong. He once wrote poems for the first, second, and third episodes of the "Holy Poems." In about 50 years of court painting, there were nearly 200 works. The handed down works were completed in the 32nd year of Qianlong(1767). The volume of the "Map of the Origin of the Legal World" was 33 centimeters long and 1635 centimeters across. The volume was grand, with many characters, and the gold was set in fine and beautiful colors. It was a treasure of Chinese Buddhist art and the pearl of Buddhist art in the world. The Museum of Jilin Province is now in Tibet; In the thirteenth year of Qianlong(1748), he wrote the "Qiao Qiao Tu" to collect the Shanghai Museum; In the twenty-sixth year(1761), he made the axis of the "Wuliangshou Buddha Map" and the "Baoxiang Guanyin Map" axis of the Palace Museum; Thirty-five years(1770) in August as the "figure of the story" axis of the West Berlin Folk Museum. The younger brother Dingguanhe, also enshrined the inner court, workers.
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【名称】清 丁观鹏 太族始和图
【年代】清代 
【简介】纸本设色，90×54.5厘米。故宫藏品。
此乃画家新春试笔之作，画中因而洋溢着喜悦欢快之情。祥云低垂，青山点翠。远山之崇俊，更显市镇之繁华。戏台商铺，骡马车旅，喧嚣吆喝之声似在耳畔；屋宇鳞次栉比，人物衣着鲜亮，一派富庶景象。近景的描绘，尽展画家的高深造诣。其飞檐画栋、横廊阶梯，以及一切陈设，无不逼真肖似。一静一动，趣味横生。
英文翻译
Ding[name] Qing Dingguanpeng
【 Year】 Qing Dynasty
[Introduction] Paper color, 90 × 54.5 cm. Palace Museum Collection.
This is the painter's new spring test, and the painting is filled with joy and joy. Xiangyun is low and green. Chongjun of Yuanshan is even more prosperous in the town. The stage shops, the horses and carriages travel, and the noise sounds like the ear; The houses are lined up, the characters are brightly dressed, and they are rich. The depiction of the near scenery shows the painter's profound accomplishments. Its eaves, verandah steps, and all the furnishings are all lifelike. A quiet movement, fun.
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清 丁观鹏 无量寿佛图
【名称】清 丁观鹏 无量寿佛图
【年代】清代 
【简介】立轴，瓷青纸金画，纵99．3厘米，横61．9厘米。北京故宫博物院藏。
此图虽题为无量寿佛图，其实应为如来佛图。用金粉画佛像，面容慈祥，头现佛光，以示功德无量。祥云朵朵，周围站立四大金刚及佛祖两大弟子伽叶、阿难，前有女信徒合掌跪拜，旁立哼、哈二将。线条工细，佛像脸部、手部及莲座，均用晕染法，显出明暗凹凸之感。衣纹流畅，形象各异。
英文翻译
[Name] Qing Dingguanpeng
【 Year】 Qing Dynasty
[Introduction] vertical axis, porcelain blue paper gold painting, vertical 99.3 cm, horizontal 61.9 cm. Beijing Palace Museum.
Although this figure is entitled "No Life Buddha Map", it should be a Buddha map. Painting Buddha statues with gold powder, the face is kind, the head shows Buddha light, to show merit. Xiangyun Duo Duo, standing around the four major King Kong and Buddha two disciples Gaya, Ananda, there are female believers in front of the hand to worship, next to Li Yi, Ha II. The lines are fine, and the faces, hands, and rosettes of the Buddha statues are all stained with Halo, showing a sense of light and darkness. The clothing pattern is smooth and the image is different.

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